## Beckhams Cross the Billion-Pound Mark as UK's Wealthy Elite Shifts

The latest edition of the Sunday Times Rich List has delivered some headline-grabbing revelations, with Sir David Beckham cementing his place in history as the United Kingdom's first billionaire sportsman. Together with his wife Lady Victoria Beckham, the power couple's combined fortune is now estimated at £1.2 billion — a remarkable doubling of their wealth in just 12 months.

Adding further star power to this year's rankings, rock legends Noel and Liam Gallagher of Oasis fame have made their debut appearance on the prestigious list, with the brothers' joint wealth estimated at £375 million.

## Hinduja Brothers Retain the Crown

For the fifth year running, Sanjay and Dheeraj Hinduja lead the pack with a staggering combined fortune of £38 billion. The siblings oversee the Hinduja Group, a global conglomerate with extensive interests spanning oil, gas, banking, and transportation. Coming in second place are David and Simon Reuben and their family, estimated at £27.9 billion, while Guy, George, Alannah, and Galen Weston and family hold fifth position with £18.9 billion.

## Biggest Movers: Rising Stars and Falling Giants

### Notable Climbers

This year's standout risers include Nik Storonsky, co-founder of the fintech giant Revolut, and trading entrepreneur Alex Gerko, both of whom recorded significant jumps in estimated wealth.

King Charles also saw his fortune grow, with an additional £40 million bringing his estimated wealth to £680 million — placing him at number 230 on the list and nudging him ahead of former Prime Minister Rishi Sunak and his wife Akshata Murty, whose combined wealth is pegged at £563 million.

### Notable Fallers

Not everyone enjoyed a prosperous year. Inventor Sir James Dyson saw his estimated worth tumble by £8.8 billion to £12 billion, a decline the Sunday Times attributed in part to the impact of US tariffs introduced under President Donald Trump. Manchester United part-owner Sir Jim Ratcliffe also slipped, with his fortune falling from £17 billion to £15.19 billion.

## New Faces Join the Elite

This year welcomed several fresh additions to the list. Glastonbury Festival organiser Emily Eavis and her family entered with an estimated fortune of £400 million. Eavis, who has previously spoken about the festival's ethos, has been vocal about prioritising charitable giving over profit.

Entrepreneur Christopher Harborne also made a notable debut, landing in sixth place. The British billionaire attracted significant public attention earlier in 2024 following revelations of a £5 million donation to Nigel Farage, making him one of Reform UK's largest financial backers on record.

Other well-known names gracing the list include Sir Elton John, Lord Lloyd-Webber, Sir Mick Jagger, Keith Richards, JK Rowling, Charlotte Tilbury, Sir Brian May, and Sir Lewis Hamilton.

## A Tale of Two Exoduses

The Sunday Times now counts 157 UK billionaires — a drop of 20 compared to four years ago. Rich List compiler Robert Watts described this year's findings as "a tale of two exoduses."

"One in six of the individuals and families who appeared on the list two years ago don't feature this time," Watts noted. He added that a growing number of British nationals are now residing in Dubai, Switzerland, and Monaco, while at least 15 foreign nationals who appeared last year have been removed after relocating abroad.

Nearly a third of UK citizens on the list no longer live on the British mainland, reflecting a broader trend of wealth migration away from the UK.

The list is compiled using identifiable assets including land, property, art, racehorses, and significant shareholdings in publicly quoted companies. Private bank account balances are not factored in.

## Under-40s Rich List: Youth, AI, and Old Money

The paper's accompanying 40 Under 40 Rich List also made for compelling reading. Boxer Tyson Fury made his debut on this younger-focused ranking, joining 34 other entrants who have built their fortunes independently. Notably, almost a third of the list's entrants have ties to London-based artificial intelligence start-ups.

Topping the under-40 rankings are the Duke and Duchess of Westminster with an estimated £9.7 billion, while Gymshark founder Ben Francis — who famously dropped out of university to grow his sportswear brand — came in fifth place with a fortune estimated at £800 million.

David Beckham becomes the UK's first billionaire sportsman as Oasis brothers debut on the Sunday Times Rich List. Full breakdown inside.

Beckhams Become Billionaires on Sunday Times Rich List

c92a9790-5055-11f1-b682-cf91850925ea.jpg

Beckhams Hit Billionaire Status While Oasis Brothers Debut on Sunday Times Rich List

## Drake Returns with a Triple Album Surprise

The music world expected one Drake album. Instead, the Canadian rap superstar delivered three in a single surprise drop — marking his most ambitious release since his infamous feud with Kendrick Lamar dominated headlines throughout 2024.

The three projects — **Iceman**, **Habibti**, and **Maid of Honour** — arrive together, totaling 43 songs and featuring collaborations with Central Cee, 21 Savage, and PARTYNEXTDOOR, among others.

## A Different Sound Across Each Project

Rather than delivering one uniform body of work, Drake has spread his musical range across three distinct sonic landscapes.

- **Iceman** leans heavily into rap and hip-hop, serving as the most lyrically intense of the trio
- **Habibti** takes a smoother, R&B-influenced direction
- **Maid of Honour** draws inspiration from dance music

This deliberate range signals that Drake isn't just chasing one demographic — he's casting a wide net across his famously broad fanbase.

## Drake Addresses the Kendrick Feud Head-On

Perhaps the most anticipated question surrounding the release was whether Drake would respond to Kendrick Lamar's scathing diss track *Not Like Us*, which Lamar performed on a global stage at the Super Bowl halftime show earlier this year.

The answer is yes — and Drake doesn't hold back.

On the Iceman opener *Make Them Cry*, Drake offers what appears to be a raw, unfiltered look into his mental state during the height of the feud:

> *"Tell us how it felt to meet the grim reaper / This album better have some big features / Well, sorry to burst your bubble, but I'm all alone for my mental [health]."*

In the same track, Drake makes the deeply personal revelation that his father has been diagnosed with cancer — a moment that adds significant emotional weight to an otherwise combative release.

### Taking Aim at Lamar and His Allies

Drake also appears to direct pointed criticism at Lamar himself, suggesting the Compton-born rapper uses his hometown as a PR backdrop while living a lavish lifestyle far removed from it.

> *"Handin' out turkeys on camera inside of your hood, then you go back to the hills,"* he raps on one track.

He doesn't stop there. Drake reportedly calls out several public figures perceived to have sided with Lamar during the feud, including NBA legend LeBron James, who attended a Lamar concert at the peak of the rivalry. DJ Khaled also appears to be addressed, with Drake referencing criticism directed at the Palestinian-American producer over his silence on the war in Gaza.

## Industry Reaction and Streaming Surge

While formal critical reviews were still forthcoming at the time of release, early reports indicated that streaming platforms experienced significant crashes and slowdowns as fans scrambled to access the new music — a strong early indicator of massive public interest.

Music journalist and radio presenter Mary Mandefield, speaking to BBC Newsbeat, said the feud references were never really in question.

*"He's a smart businessman, as well as a great musician,"* she noted. *"It would have been a massive miss to have three albums and not mention Kendrick at all."*

Mandefield also pushed back against the notion that the beef was purely damaging for either artist, arguing that both Drake and Lamar benefited from the sustained public attention.

*"Externally it looks like beef, but on the whole, it helps both artists out,"* she said. *"It keeps people talking, it helps with streaming numbers."*

## Is This Stream Trolling?

Dropping 43 tracks simultaneously will inevitably invite accusations of **stream trolling** — the practice of releasing large volumes of content to artificially inflate streaming figures.

However, Mandefield points out that Drake is far from the only artist to have faced this criticism. Rap group Migos released a 24-track album under similar scrutiny, while R&B star Chris Brown faced backlash for a 57-track deluxe edition of *Heartbreak on a Full Moon*.

*"Other artists would do this in a way where they might have a remix album, or they might do an acoustic version,"* Mandefield explained, suggesting Drake's approach, while bold, fits within a broader industry pattern.

Whether this triple drop represents a strategic masterstroke or a desperate bid for relevance, one thing is certain — Drake has ensured that, at least for now, all eyes are back on him.

Drake surprises fans with three albums — Iceman, Habibti, and Maid of Honour — addressing his Kendrick Lamar feud and personal struggles across 43 tracks.

Drake Drops Three New Albums After Kendrick Lamar Beef

d42edc90-5051-11f1-8b8c-6d33e1d5abb6.jpg

Drake Drops Three Albums at Once in Bold Return After Kendrick Lamar Feud

## The Legendary French Actor Who Remains Hollywood's Best-Kept Secret

At 76 years old, Daniel Auteuil showed up to a recent interview over Zoom in the most unexpected fashion. Mid-conversation, he paused to apologize — not for a technical glitch or a scheduling conflict, but because a parrot had just landed squarely on top of his head.

The camera flicked on to confirm it: a grey parrot, perfectly content, roosting in his silver hair as though it had found its natural habitat.

"It's because of all my gray hair," Auteuil said, laughing warmly. "She thinks it's her nest."

It was, in its own strange way, a fitting image. One of the most accomplished actors in the history of French cinema, sitting in quiet dignity with a bird perched on his head — utterly unruffled, entirely at ease, and still somehow underestimated by the wider world.

---

## Five Decades at the Top — and Still Under the Radar

For over fifty years, Daniel Auteuil has held a unique and commanding position within French cinema. He has reinvented himself repeatedly across that time — from broad comedy star to romantic lead, from physically transformative character actor to a practitioner of devastating minimalism. Few performers of his generation have demonstrated the ability to move so fluidly between crowd-pleasing mainstream entertainment and the demanding world of auteur filmmaking without ever appearing miscast in either.

The numbers alone speak to his stature. Auteuil holds the record as the most-nominated actor in the history of the César Awards — France's equivalent of the Academy Awards — accumulating an extraordinary 14 nominations and taking home two Best Actor prizes. For context, the iconic Catherine Deneuve has 11 nominations. He has appeared in more than 120 films and television productions across his career, collaborating with some of the most celebrated directors in European cinema.

And yet, beyond France and the international festival circuit, his name still draws blank stares — particularly among audiences under fifty. Unlike contemporaries such as Gérard Depardieu, Jean Reno, or Jean Dujardin, Auteuil scaled the very heights of French cinema without ever making a significant push into Hollywood.

"It's true," he acknowledges with a characteristic shrug. "I shot movies in Italy and in England with my bad English, but I never went to Hollywood. At least not yet."

That final phrase — *not yet* — floats in the air with deliberate ambiguity. Part wistfulness, part dry humor, entirely noncommittal. It is, in many ways, pure Auteuil.

---

## Cannes, Again — With Two Films in Tow

This year's Cannes Film Festival marks roughly Auteuil's fifteenth appearance on the Croisette, and he arrives with a rare distinction: two films premiering simultaneously, one in which he acts and one which he has directed himself. By any reasonable measure, he is one of the defining presences in the festival's modern history.

His breadth as an artist extends well beyond acting. Auteuil is a formidable quadruple threat — actor, screenwriter, director, and singer. He first found his footing in the performing arts as a cast member on the French touring production of *Godspell*, and in 2023, at the age of 71, he released his debut album of classic French chansons. The range is staggering, the ambition unrelenting.

He has worked alongside some of cinema's most revered figures, including André Téchiné, Michael Haneke, Agnès Varda, Claude Berri, and Claude Sautet. He starred opposite Catherine Deneuve — whom he affectionately calls "my sister of cinema" — in both *My Favorite Season* (1993) and *Thieves* (1996), and appeared alongside the legendary Romy Schneider in *The Lady Banker* (1980).

"A small role," he says of the Schneider film. "But what a joy to play with one of the greatest actresses in the world."

---

## Rejected, Resilient, and Refusing to Quit

Auteuil's path to greatness was anything but smooth. At the age of 19, he was rejected three times by France's National Academy of Dramatic Arts — the kind of repeated early failure that sends most aspiring performers in search of an alternative profession.

He had no alternative in mind.

"I didn't have a Plan B, so I had to stick it out," he says. "I think that's the strength of youth. You're completely unaware of the risk. Giving up was never part of my plan."

For several years, he navigated a patchwork career through musical theater, television roles, and minor film appearances. His commercial breakthrough finally arrived in 1980 with *Les sous-doués* (*The Under-Gifted*), Claude Zidi's enormously popular French teen comedy about students cheating their way through the baccalaureate exams. The film made him famous — but it also boxed him in.

"People thought I was light," Auteuil recalls. "I knew I could do other things. But nobody asks you for what they cannot imagine."

---

## Jean de Florette and the Role That Changed Everything

The director who first dared to imagine something different was Claude Berri.

Berri cast Auteuil in his sweeping period epic *Jean de Florette* (1986), in the role of Ugolin — a hunched, obsessive Provençal farmer ultimately destroyed by his own emotional limitations and inability to love. It required a complete physical and psychological reinvention. Auteuil disappeared so thoroughly into the character that he barely resembled himself.

"When I saw myself made up as Ugolin, I thought: 'Finally, people won't recognize me,'" he recalls. "He really changed my stature, the way people looked at me as an actor."

The performance was a revelation. It earned him both a BAFTA and a César Award, and firmly established his credentials as a serious dramatic actor. Another performer might have used that momentum to pursue bigger, bolder, more externally expressive roles — the kind of showy physical transformation that his *Jean de Florette* co-star Gérard Depardieu would ride to international stardom, landing opposite Andie MacDowell in Peter Weir's *Green Card* just four years later.

Auteuil moved in precisely the opposite direction.

"I'm afraid I'm not much of a dreamer. I'm very pragmatic," he says. "I never chose roles thinking about my career. It was always about my desire to spend time with a certain director, with certain actors. It was always about the work."

---

## Claude Sautet and the Art of Saying Nothing

If Claude Zidi gave Auteuil fame and Claude Berri gave him respect, it was Claude Sautet who elevated him to genuine greatness.

His performance in Sautet's *A Heart in Winter* (1992) stands as one of the most quietly devastating works in the canon of modern French cinema. As Stéphane, a gifted violin restorer who is emotionally sealed shut and incapable of genuine connection, Auteuil operates almost entirely through restraint. The performance is built from small hesitations, barely perceptible glances, and deliberate emotional withdrawal. He withholds so completely that audiences find themselves leaning toward the screen, straining to catch any flicker of feeling beneath the surface.

"Claude Sautet really changed my acting, from extrovert acting to introvert acting," Auteuil reflects. "It was a major step for me."

That mastery of radical interiority would find its most fully realized expression years later in Michael Haneke's *Caché* (2005), in which Auteuil plays Georges Laurent — a polished Parisian television host whose comfortable, controlled existence begins to fracture as mysterious surveillance tapes force a dark secret from his past to the surface. The performance is a masterclass in moral ambiguity. Georges is so psychologically fortified that even his own guilt appears inaccessible to him. *Caché* premiered at Cannes, where it won Best Director and the International Critics' Prize.

---

## Three Claudes, One Career

Looking back across fifty-plus years, Auteuil distills his extraordinary journey with characteristic clarity.

"Together, it was these three Claudes — Claude Zidi, Claude Berri, and Claude Sautet — that made my career," he says. "They made me comfortable doing everything: comedy, drama, playing open or playing closed and mysterious."

It is a remarkably gracious summation from a man whose talent, range, and longevity would justify considerably more self-congratulation. But then, that quiet, unassuming quality — the same quality that has kept him just beyond the reach of global superstardom — is also precisely what makes him so compelling to watch.

The parrot, for its part, clearly knew where it belonged.

Daniel Auteuil has 14 César nominations and 50 years of iconic films — yet remains unknown outside France. Discover the actor Cannes can't ignore.

Daniel Auteuil: France's Greatest Actor You Don't Know

large_GettyImages-2216862981.jpg

medium_GettyImages-2216862981.jpg

small_GettyImages-2216862981.jpg

thumbnail_GettyImages-2216862981.jpg

GettyImages-2216862981.jpg

The Legendary French Actor Who Remains Hollywood's Best-Kept Secret

## Paul Chuckle Steps onto the National Theatre Stage

Iconic children's entertainer Paul Chuckle is preparing for an exciting new chapter in his career, with the announcement that he will make his National Theatre debut in an upcoming production of Jim Cartwright's classic play, *The Rise and Fall of Little Voice*.

The 78-year-old performer, whose real name is Paul Elliott and who hails from Rotherham, will take on the role of the boisterous Mr Boo. Expressing his enthusiasm for the opportunity, Chuckle said he is absolutely "delighted" to be joining the production, adding: "I can't wait to get into rehearsals with Robert Hastie and this fantastic team. To perform at the National Theatre and then head out on tour across England is a dream come true."

## A Star-Studded Cast

Chuckle will share the stage with a talented ensemble of performers. *Silent Witness* actress Francesca Mills will take on the coveted title role, while *Waterloo Road* favourite Jill Halfpenny is set to portray the larger-than-life character of Mari Hoff.

Mills, who previously collaborated with director Robert Hastie on a production of *Hamlet* at the National Theatre, expressed her delight at reuniting with the director. "My first show I ever did at the National was in the Dorfman Theatre, so to be returning to that beautiful space over Christmas followed by a tour around England — I'm truly over the moon," she said.

Halfpenny was equally enthusiastic, describing her excitement at the prospect of playing Mari Hoff in what she called a "beloved Northern play." She added: "I have long admired Jim's work and to get the opportunity to play this role at the National Theatre and at theatres across England this winter is very special."

## Tour Dates and Venues

Directed by Robert Hastie, the production will open at the National Theatre in London on **2 December**, running through to **23 January**. Following its London run, the show will embark on a national tour, with performances scheduled in cities including Newcastle, Sheffield, and Salford.

### About the Production

Described as a "joyful, tender and bittersweet celebration of music, ambition and the courage it takes to be heard," the production promises to be a moving and uplifting theatrical experience. The show will feature timeless musical numbers associated with legendary artists such as Judy Garland and Dame Shirley Bassey, adding an extra layer of glamour and nostalgia to the performance.

Paul Chuckle, 78, is set to make his National Theatre debut playing Mr Boo in The Rise and Fall of Little Voice alongside Francesca Mills and Jill Halfpenny.

Paul Chuckle Makes National Theatre Debut in Little Voice

54470d30-4ed1-11f1-91ee-f79d495dca9f.jpg

Paul Chuckle Makes His National Theatre Debut in The Rise and Fall of Little Voice

## A Night to Remember at the Bafta TV Awards

The Bafta TV Awards lit up London's Royal Festival Hall with an evening packed full of emotional speeches, unexpected reunions, dazzling fashion, and well-deserved recognition. As one of the most prestigious nights in British television, the ceremony delivered plenty of memorable moments — here are ten highlights you won't want to miss.

## Martin Lewis Opens Up About a Difficult Past

Financial journalist and consumer champion Martin Lewis was honoured with a special Bafta award, recognising his decades-long career helping everyday people navigate their finances. Known primarily for his ITV programme, Lewis cheekily described the show as little more than "a PowerPoint presentation with a Q&A afterwards."

However, the mood quickly shifted as Lewis shared a deeply personal story. He recalled losing his mother at just 12 years old — a loss that left him largely housebound for six years. Standing on the Bafta stage, he reflected on how far he had come.

"For six years, barring school, I barely left the house, and now I'm picking up a Bafta," he said. "So to all of you out there struggling with your own demons, life can be transformed, it can get better."

In a lighter exchange backstage, reporters asked Lewis whether he had ever made an impulse buy — a question that drew a surprising response. He confessed to purchasing both a Van de Graaff generator and a theremin, two rather unconventional items that left many in the press room scrambling for a quick internet search.

## Dame Mary Berry Receives the Bafta Fellowship

At 91 years old, beloved television cook Dame Mary Berry was presented with the Bafta Fellowship — the British Academy's most prestigious honour — in recognition of her extraordinary contribution to British television.

While Berry knew the award was coming, she admitted that waiting in the front row for her moment was anything but comfortable. "I listened to everybody giving the most wonderful speeches and laughs, but I kept thinking — it's going to be me soon," she told reporters backstage. "I hoped they'd laugh."

Her acceptance speech was both warm and moving. Berry took time to thank her three children, including her late son William, who passed away in 1989 at the age of 19. "William is in heaven, but I thank him," she said, drawing an emotional response from the audience.

## Alan Carr and Paloma Faith Keep the Peace

Fans of Celebrity Traitors were treated to a real-life reunion on the Bafta red carpet when comedian Alan Carr crossed paths with singer Paloma Faith — the celebrity he infamously "murdered" during the show's first series, despite the pair being close friends off screen.

Rather than any awkwardness, the two smiled and posed cheerfully for photographs together, prompting Bafta's official X account to post: "Breaking news: Alan Carr and Paloma Faith are still friends."

Host Greg Davies acknowledged the drama inside the ceremony with his trademark dry wit. "Celebrity Traitors managed to turn Alan Carr into a manipulative serial killer," he said, before adding, "We all know he's a good person." Seated right beside Carr, Faith grinned and playfully wagged her finger at the camera.

The night ended on a high note for Carr, who collected the Memorable Moments award for the scene in which he outsmarted his fellow finalists. In his acceptance speech, he saved his final words for Faith: "I dedicate this to Paloma — there's no one else I would rather murder more than you. I love you."

## The Danny Dyer Double Act Takes the Stage

One of the evening's most charming moments came courtesy of a true family affair. Actor Danny Dyer and his daughter Dani — a familiar face from Love Island — took to the stage together to present the award for Best Reality Show.

Danny wasted no time poking fun at himself, quipping: "Two Danny Dyers at the Baftas. Do you know how people tell us apart? My chins." Dani's response was equally endearing: "I love your chins, dad."

Backstage, Danny was asked how it felt to have gained a new generation of admirers thanks to his role in Disney+'s Rivals. His response was characteristically honest. After pausing to ask what Gen Z actually means, he dismissed the heartthrob label with a laugh. "It's more older women, in their 40s," he said with a grin.

## Netflix's Adolescence Dominates the Awards

Beyond the individual highlights, Netflix drama Adolescence proved to be the big winner of the evening, picking up multiple awards throughout the night. The critically acclaimed series continued its remarkable awards season run, cementing its place as one of the most talked-about productions in recent British television history.

From heartfelt tributes to sharp one-liners and unexpected confessions, the Bafta TV Awards once again proved why it remains one of the most compelling nights on the British entertainment calendar.

Martin Lewis got emotional, Dame Mary Berry received the Fellowship, and Alan Carr dedicated his award to Paloma Faith. Here are the top Bafta TV moments.

Top 10 Bafta TV Awards Moments You Missed

09fa7df0-4d11-11f1-8bc5-29e986c81a72.jpg

Ten Unforgettable Moments From the Bafta TV Awards, Including Martin Lewis's Heartfelt Speech

## Eurovision at a Crossroads: The Israel Dispute That Could Change Everything

The moment Austria claimed victory at last May's Eurovision Song Contest in Basel, Switzerland, BBC commentator Graham Norton remarked live on air that contest organizers must have been enormously relieved they wouldn't be heading to Tel Aviv for the following year's event. That single offhand comment captured the extraordinary tension that had consumed Europe's most beloved music competition.

## A Contest Overshadowed by Conflict

Long before the first note was sung in Basel, protests had already taken root outside the venue. Hundreds of demonstrators gathered, draped in Palestinian flags and covered in fake blood to draw attention to the ongoing conflict in Gaza. Inside the arena, tensions reached a breaking point during the grand final when two individuals attempted to rush the stage while Israeli singer Yuval Raphael performed, hurling paint that ultimately struck a Eurovision crew member.

For those who have followed Eurovision closely over the years, the atmosphere during the results announcement was unlike anything previously witnessed. Audience members were visibly emotional — some in tears, others quietly praying — as chants of "Austria, Austria" echoed through the hall while the final scores were tallied.

## The Voting Controversy That Sparked a Firestorm

Despite the hostile reception from many in the arena, the public vote told a remarkably different story. Yuval Raphael, who received modest scores from the professional judging panels, outpaced every other competitor when it came to votes cast by the general public. This dramatic gap between jury and public scores quickly drew scrutiny.

Several national broadcasters raised formal concerns, pointing out that Israeli government social media accounts — including one belonging to Prime Minister Benjamin Netanyahu — had actively encouraged supporters to vote for Israel the maximum permissible number of times: twenty votes per person. Critics argued this organized campaign inflated the public vote results beyond what genuine widespread popularity could explain.

Israel's government, for its part, has consistently maintained that it is the target of an international smear campaign.

Calls emerged from multiple broadcasters for an independent audit of the results and a thorough review of the long-standing voting system. Flemish public broadcaster VRT was among those demanding assurances that the process could deliver what it described as "a fair reflection of the opinion of viewers and listeners."

The European Broadcasting Union (EBU), which oversees the contest, confirmed that the vote had undergone independent verification and found no evidence that casting the maximum twenty votes "disproportionally affects the final result." The organization stood firmly behind what it called "a valid and robust result."

## The Biggest Boycott in Eurovision History

Israel's near-victory brought simmering tensions over geopolitics and Eurovision voting to an outright boil. The fallout has now produced the most significant boycott the competition has faced across its 70-year history.

Of the 35 nations participating in the 2026 contest, broadcasters from Spain, Ireland, the Netherlands, Iceland, and Slovenia have chosen to withdraw entirely in protest over Israel's continued inclusion. Their stated reasons vary in specifics, but the underlying theme is consistent: opposition to Israel's military campaign in Gaza, which began following Hamas's attack on Israel on October 7, 2023 — an assault that killed approximately 1,200 people and resulted in 251 hostages being taken. Gaza's Hamas-run health ministry reports that more than 72,000 people have since been killed in the Israeli military response. Some of the withdrawing broadcasters have gone further, accusing Israel of genocide — an allegation Israel firmly and categorically denies.

It is worth noting that the boycotting broadcasters largely reflect the political positions of their respective governments. Spain, Slovenia, and Ireland were among the nations whose politicians attempted — ultimately without success — to convince the European Union to suspend its preferential trade agreement with Israel just last month. The broadcasters themselves insist their decisions were made independently of government influence.

## Political Roots Run Deep in Eurovision

Israel's Minister of Culture and Sports, Miki Zohar, condemned the boycott as "shameful and hypocritical," arguing that Eurovision is "a celebration of music, culture and brotherhood between nations, not a platform for scoring political points."

Yet the uncomfortable truth is that politics has never been entirely absent from Eurovision. Neighboring and culturally aligned countries have long been known to exchange generous points in the public vote — a well-documented and widely accepted quirk of the competition.

Dr. Dean Vuletic, author of Postwar Europe and the Eurovision Song Contest, notes that participation in Eurovision has historically carried political significance far beyond musical merit. He traces this dynamic back to 1961, when both Franco's Spain and Tito's Yugoslavia debuted in the contest — the latter being the only Eastern Bloc nation to participate during the Cold War, precisely because of its non-aligned political status.

Past conflicts have occasionally disrupted Eurovision, though their effects were typically short-lived and geographically limited. Greece boycotted the 1975 contest following Turkey's invasion of Cyprus. Armenia refused to compete in 2012 when the event was held in neighboring Azerbaijan amid ongoing tensions over Nagorno-Karabakh. Lebanon withdrew before its planned 2005 debut because national laws prevented it from broadcasting Israel's performance. Even Morocco's sole Eurovision appearance in 1980 coincided conveniently with a year Israel did not compete.

## Is Eurovision's Rule Book Due for a Rewrite?

This year's mass withdrawal has forced a much larger question into the open: is the EBU equipped to keep geopolitics from swallowing the competition whole?

Some voices within the industry have floated a radical proposal — that no country actively engaged in armed conflict should be permitted to participate. Notably, this would extend beyond Israel to include Ukraine, a nation that has received considerable sympathy votes since Russia's invasion began. Supporters of this position argue that such a rule is the only way to preserve Eurovision's credibility as a genuine music contest.

Natalija Gorščak, president of the management board of Slovenian broadcaster RTV, explained her organization's position plainly: "We received a lot of protests from Eurovision fans who said we shouldn't be on the stage together with Israel. Our ethical stand as a public service broadcaster should be to fight for peace."

Iceland's broadcaster RÚV cited "serious doubts" about the conduct of both the Israeli public broadcaster and the Israeli government in relation to competition rules. The Dutch broadcaster Avrotros pointed to what it described as "political interference" in the 2025 contest, stating that continued participation would contradict "public values that are fundamental to our organisation."

## What Comes Next for the World's Biggest Music Show?

It is important to remember that Eurovision is not a competition between governments. It operates through the EBU — a collective of public service broadcasters, including the BBC — whose membership has expanded well beyond Europe's geographic boundaries over the decades. The contest's enduring motto, "united by music," now feels more aspirational than ever.

The current dispute is ultimately between independent broadcasters regarding the participation of Israel's public broadcaster, Kan, rather than a direct confrontation between nation-states. But the practical effect on the competition is the same: fracture, controversy, and an increasingly difficult balancing act for the EBU.

With its 70th anniversary supposed to mark a celebration of musical unity, Eurovision instead finds itself navigating its most complex identity crisis to date. Whether organizers choose to revise the rulebook, reform the voting system, or hold the line on existing policies, the decisions made in the coming months will likely shape the contest's character — and perhaps its very survival — for generations to come.

Eurovision faces its biggest boycott in 70 years as five broadcasters withdraw over Israel's inclusion. Could this dispute reshape the contest's future forever?

How Israel Controversy Could Change Eurovision Forever

11127980-4adc-11f1-b55d-0f258dce1735.jpg

How the Israel Controversy Could Permanently Transform the Eurovision Song Contest

## A Documentary Ten Years in the Making

French director Maxence Voiseux is not a filmmaker in a hurry. His debut feature, *Gabin*, is living proof of that — a documentary painstakingly crafted over an entire decade, following one young man from childhood to adulthood as he wrestles with the weight of family expectation and the pull of his own aspirations. The film makes its world premiere in the Directors' Fortnight section at the 2026 Cannes Film Festival on May 14.

## The Story of Gabin Jourdel

At the center of the documentary is Gabin, the youngest son of the Jourdel family, who live in the rural Artois region of northern France — a landscape shaped by agricultural tradition and economic hardship. From the age of eight to eighteen, the camera quietly watches as Gabin navigates a deeply personal tension: honoring his father's vision of him inheriting the family butcher shop and helping rescue the farm from financial decline, while quietly nurturing dreams that reach far beyond his hometown.

As the production's press notes describe it, Artois is a place "where leaving feels like betrayal, and staying comes at a cost." It is this emotional geography that gives the film its beating heart.

## Voiseux's Deep Connection to Artois

For Voiseux, this project is more than just a documentary — it is a deeply personal homecoming. He grew up viewing the Artois region as bleak and uninspiring, but over time came to see its people and landscapes through an entirely different lens.

"I turn my camera towards what remains of that heritage: men who have rarely been rewarded by life," Voiseux explains. "As a child, I saw it as bleak and austere. Only much later did I begin to see it as a genuine film set, its inhabitants as living, novelistic characters."

His relationship with the region dates back to 2014, when he created his graduation short film *Of Men and Beasts*, documenting a livestock market in Arras, Artois. It was there that he first encountered Gabin's grandfather. That connection led to meeting the grandfather's three sons, whom he later featured in his mid-length documentary *The Heirs*. *Gabin* represents the natural evolution of that long creative relationship.

## One Hundred Days Behind the Lens

Voiseux estimates he spent approximately 100 to 115 days on set over the course of the decade-long shoot. Yet he is quick to emphasize that raw filming time tells only part of the story.

"The most important thing was the time I spent with Gabin," he says. "Some of those exchanges you can maybe feel in the movie, but you won't see them. I spent so much time between the shooting sessions preparing and talking to them."

Over the years, Voiseux became so embedded in the Jourdel family's daily life that Gabin would introduce him simply as his cousin to avoid lengthy explanations. But the filmmaker was always mindful of the dual role he occupied.

"They knew after a while that I was thinking about what they were sharing with me and how I could put it in the movie or not," he acknowledges. "And I would ask them for their thoughts."

## When Life and Film Become Inseparable

By the time filming wrapped, Gabin had spent more of his young life being documented than not. The experience blurred the boundaries between cinematic process and lived reality in ways that were sometimes difficult to untangle.

"They used the film as a process, or as a molecule, to make their life a bit better and to make things happen," Voiseux reflects. "Sometimes I, or we, didn't even know if they were doing things for themselves, for the movie, for everyone, or all of those. So sometimes it's a huge mix of life and film."

The relationship between filmmaker and subject deepened significantly when Gabin visited Voiseux in Paris — a milestone that shifted their bond from a friendly kinship to something far more profound.

"That was when we really went from cousins to becoming brothers," the director shares.

## A Private Screening Before Cannes

Before submitting the final cut to Cannes, Voiseux made a point of showing the completed film to Gabin first. He traveled to Canada specifically for the occasion, where the two rented a small cinema and watched the documentary together.

"It was so moving," Voiseux recalls. "And at the end of the movie, Gabin was crying."

More importantly, Gabin felt that the film captured him honestly and with care. "He told me immediately that the movie was precise and so close to his heart," the director says — a response that validated the years of trust built between them.

Now that the cameras are put away for good, their relationship has taken on a new, quieter quality. "Now, it is just him and me, without the camera, without the process of cinema," Voiseux notes. "We don't talk about cinema. We talk only about life."

## A Universal Story Rooted in the Local

Voiseux is a firm believer that the most specific stories carry the broadest universal resonance. He hopes that viewers worldwide will find their own reflections in Gabin's journey — his fierce loyalty to family and place, and his equally fierce desire to define life on his own terms.

"Gabin is about a young man driven by his spirit of emancipation and strong fidelity to the Artois region," the director concludes. "And that is a pretty strong story."

## Production Details

The film was written and directed by Maxence Voiseux, with cinematography by François Chambe and Martin Roux, and editing by Pascale Hannoyer and Natali Barrey. It was produced by Cécile Lestrade and Elise Hug of Alter Ego Production, co-produced by Ulla Lehmann of Ama Film and Palmyre Badinier of Rita Productions, with co-production support from SWR/ARTE and RTS Radio Télévision Suisse. Arizona Distribution handles French distribution, while Lightdox manages international sales.

Maxence Voiseux's debut documentary Gabin follows a French farm boy from age 8 to 18, premiering at Cannes 2026 Directors' Fortnight after a decade of filming.

Gabin Documentary Premieres at Cannes 2026 Directors' Fortni

large_Gabin-film-still-1-Lightdox-H-2026-1.jpg

medium_Gabin-film-still-1-Lightdox-H-2026-1.jpg

small_Gabin-film-still-1-Lightdox-H-2026-1.jpg

thumbnail_Gabin-film-still-1-Lightdox-H-2026-1.jpg

Gabin-film-still-1-Lightdox-H-2026-1.jpg

Gabin: A Decade-Long Documentary Journey Premiering at Cannes Directors' Fortnight

## The Devil Wears Prada 2 Is Packed With Unforgettable Cameos

Twenty years after David Frankel's beloved fashion film became a cultural touchstone, its highly anticipated sequel arrives with more than just its powerhouse leads. Alongside returning stars Meryl Streep, Anne Hathaway, and Emily Blunt, the follow-up delivers a star-studded lineup of surprise appearances that span the worlds of fashion, sports, journalism, and social media influence.

### A Film That Goes Beyond Its A-List Cast

While the central trio is more than enough to draw audiences in, the sequel smartly layers in recognizable faces from across multiple industries. From celebrated fashion icons to prominent athletes and digital influencers, the film uses its cameos to build out a rich, contemporary world that feels both glamorous and grounded in today's cultural landscape.

### Lady Gaga Steals the Show in Milan

Perhaps the most talked-about appearance belongs to Lady Gaga, who makes her presence felt during a high-energy Milan Fashion Week sequence. Although her involvement in the project was not entirely unexpected, what audiences did not see coming was the sheer impact of her scene. Gaga delivers a live performance of her original track *Shape of a Woman*, turning the runway into a concert stage.

But the musical moment is only part of what makes her cameo so memorable. Before taking the spotlight, Gaga finds herself in a sharp, tension-filled confrontation with Miranda Priestly herself. The exchange is brief but loaded with subtext, strongly suggesting that a long-standing rivalry simmers beneath the surface — one the film teases without fully revealing.

### Why the Cameos Matter

More than mere celebrity window dressing, these appearances serve a narrative purpose. They reinforce the sequel's central themes of power, influence, and the ever-shifting hierarchies within the fashion world. Each familiar face adds another layer to a story that is as much about who you know as what you wear.

From Lady Gaga to fashion icons and athletes, The Devil Wears Prada 2 is packed with surprise cameos. Discover every standout appearance in the sequel.

The Devil Wears Prada 2: All the Surprise Cameos Revealed

large_Devil-Wears-Prada-2-List-MAIN-Getty-H-2026.jpg

medium_Devil-Wears-Prada-2-List-MAIN-Getty-H-2026.jpg

small_Devil-Wears-Prada-2-List-MAIN-Getty-H-2026.jpg

thumbnail_Devil-Wears-Prada-2-List-MAIN-Getty-H-2026.jpg

Devil-Wears-Prada-2-List-MAIN-Getty-H-2026.jpg

The Devil Wears Prada 2: Every Surprise Cameo You Need to Know About

## Amazon MGM Studios Plots Ambitious Transformation of Bray Studios

Amazon MGM Studios has unveiled bold plans to dramatically redevelop its Berkshire film studio, positioning the historic Bray Studios site as a major new employment and production hub for the UK screen industry.

The American entertainment giant has been operating at Bray Studios since 2022 and is preparing to formally submit a planning application later this summer, following a public consultation that recently closed.

## What the Redevelopment Would Include

The proposed overhaul goes well beyond the expansion that was greenlit under the site's previous ownership back in 2022. Amazon's refreshed vision for the property includes:

- **Six brand-new sound stages**
- **A multi-storey car park**
- **A new visitor hub and café**
- **An on-site farm shop**
- **A replacement roundabout** at Water Oakley Lane to ease traffic flow on the A308

Amazon says these upgrades are essential to fully unlocking the site's production capabilities and long-term commercial potential.

## Thousands of Jobs on the Line

The economic case for the project is significant. Amazon estimates the redevelopment could support approximately **3,200 full-time jobs across the United Kingdom**, with around **1,700 of those positions based in Berkshire** alone.

"Our proposals will unlock the potential of this iconic employment hub, delivering significant jobs, investment and infrastructure improvements both locally and across the wider area," the company stated.

## A Studio Steeped in Cinematic History

Bray Studios carries a remarkable legacy that stretches back more than seven decades. The site became the creative home of **Hammer Films** in 1951, where the legendary production company crafted over 100 horror and fantasy features. Classics such as *The Mummy*, *The Curse of Frankenstein*, and *Dracula* were born on these grounds, bringing global fame to iconic actors including **Peter Cushing** and **Christopher Lee**.

The studios' illustrious history doesn't end there. Scenes from the cult classic *The Rocky Horror Picture Show* were captured at Bray in 1974, and visionary director **Ridley Scott** used the facility in 1978 to construct and film the intricate miniatures for his Academy Award-winning sci-fi masterpiece, *Alien*.

## Amazon's Commitment to the Community

"As the new custodians of the world-famous Bray Studios, we are committed to long-term stewardship and investment in the community," Amazon said, emphasising that its intentions extend beyond pure commercial gain.

The company is now reviewing feedback gathered during the public consultation period and hopes to secure approval from the **Royal Borough of Windsor and Maidenhead** council by autumn.

The announcement comes after a separate film studio proposal in nearby Holyport was rejected by the Planning Inspectorate last year, underscoring the importance of Amazon's project for regional screen industry growth.

Amazon MGM Studios is set to overhaul Bray Studios in Berkshire, adding sound stages and creating up to 3,200 UK jobs. Full details inside.

Amazon MGM Studios Plans Big Bray Studios Revamp

938b70b0-4a0f-11f1-a5ee-8d3af4522d8c.png

Amazon MGM Studios Eyes Major Overhaul of Historic Berkshire Film Lot

## Brenda Song Is More Than Just a Familiar Face — She Knows the Game

If you think Brenda Song is simply a talented actress riding the wave of a hit Netflix series, think again. The 36-year-old star of *Running Point* brings something extra to the court — a genuine, deep-rooted passion for basketball that predates the show by decades.

With nearly 35 years of professional acting under her belt, Song is a rare breed in Hollywood. Starting her career at just six years old, she has steadily built a résumé that most veterans twice her age would envy. Now, fresh off the release of *Running Point* Season 2, she sat down with *The Hollywood Reporter* looking energized and clearly in her element.

---

## What Is *Running Point* All About?

The Netflix comedy series centers on Isla, played by Kate Hudson — a woman who unexpectedly takes the reins of her family's professional basketball franchise, the fictional Los Angeles Waves. Song plays Ali, Isla's sharp, loyal, and indispensable right-hand woman.

Executive produced by the powerhouse trio of Mindy Kaling, Ike Barinholtz, and David Stassen, the show is loosely inspired by the real-life story of Jeanie Buss, the longtime owner of the Los Angeles Lakers. For Song, this project wasn't just another acting gig — it was something she had been unknowingly preparing for her entire life.

"I literally would have done anything on the show," she admitted with a laugh. "I told my agent, 'Do you need a PA? Do you need an assistant?' I would've done whatever it took."

---

## A Basketball Fan Since Birth

Song's love affair with basketball didn't begin on a Netflix set — it started in her living room as a child. Her father and younger brother were devoted Chicago Bulls fans during the Michael Jordan era, and the sport was a constant presence in her household.

"My personal favorite was Dennis Rodman," she revealed. "I loved his defensive intensity and his relentless hustle. That's where it all began for me."

Her allegiance shifted dramatically in 1996 when a young Kobe Bryant was drafted by the Los Angeles Lakers. From that point on, Song was a committed Lakers fan, tracking all 82 games each season — whether watching on television or tuning in via radio with the legendary commentary duo of Chick Hearn and Stu Lantz.

When Bryant retired in 2016, Song was so emotionally affected that she stepped back from watching basketball altogether for a couple of years. "It just wasn't the same for me," she explained. "Kobe was my steady throughout all of it."

### Football Entered the Picture — Thanks to Macaulay Culkin

During her hiatus from basketball, Song discovered a new sporting passion: football. She credits her longtime partner, fellow former child star Macaulay Culkin, with opening that door.

"I walked in one morning and there was a Rams versus Seahawks game on," she recalled. "After that, it was over for me. People don't realize just how big a sports fan Mac really is."

Her love for basketball was reignited during the pandemic, when she began following the sport again with renewed enthusiasm — right around the time the *Running Point* opportunity came knocking.

---

## Why Mindy Kaling Made This a No-Brainer

Beyond the basketball connection, Song's admiration for creator Mindy Kaling played a significant role in her enthusiasm for the project. A devoted fan of both *The Office* and *The Mindy Project*, Song describes Kaling's creative voice as immediately recognizable and consistently brilliant.

"When you hear Mindy Kaling's name attached to something, you already know what kind of comedy you're in for," Song said. "It's going to be witty, fast, and it's going to push boundaries."

Her first meeting with Kaling, Barinholtz, and Stassen over Zoom quickly turned into an extended conversation about basketball — particularly the shared reverence all parties had for their respective hometown teams. That authentic connection sealed the deal.

"We were just the same," Song said of bonding with the producers over rewatching classic games and iconic sports moments whenever they needed a lift.

---

## Ali's Big Moment in Season 2

One of the standout storylines in *Running Point* Season 2 involves Ali confronting a deeply relatable professional dilemma — asking for a raise from her best friend, who is now also her boss.

Song describes this arc as both comedically rich and emotionally grounded. While Ali is the kind of confident, type-A professional who wouldn't hesitate to make demands in any other context, the dynamic between her and Isla complicates everything.

"Ali has always believed in Isla, even more than Isla believes in herself," Song explained. "Now they're navigating completely new territory in their friendship, and it's genuinely uncomfortable for Ali."

What makes the scene particularly memorable, according to Song, is Ali arriving to the conversation armed with note cards — a perfectly on-brand touch for a woman who is simultaneously over-prepared and emotionally out of her depth.

"I think it reflects something so many women experience," Song said thoughtfully. "Society has somehow convinced us that we don't deserve more. That's why I love that moment so much. It's a reminder that it's okay to stand up for yourself, even when it's messy."

---

## The Friendship at the Heart of the Show

At its core, *Running Point* is a story about female friendship, and Song speaks warmly about what it was like to develop that dynamic alongside Kate Hudson on screen.

"Kate is genuinely the best scene partner," she said. "We talked with the producers about how Ali and Isla have never really clashed before this. They've always just worked. So this season was the first time we got to explore them actually fighting, and it was really fun to dig into that."

The season also introduced Ray Romano into the mix — a development that left Song visibly starstruck. "I kept thinking, what is my life right now? Little Brenda would never believe this," she laughed.

---

## Disney Channel, Representation, and Looking Ahead

Song, who rose to fame through Disney Channel's biggest early 2000s productions, also took a moment to reflect on that chapter of her career — and to push back against the notion that those years were creatively limited.

In her view, Disney Channel was ahead of the curve when it came to onscreen representation, a point she feels doesn't get nearly enough credit.

As for what's next, Song shows no signs of slowing down. She recently wrapped filming on a Netflix comedy called *The Fifth Wheel*, directed by Eva Longoria and co-starring Nikki Glaser, Fortune Feimster, and Kim Kardashian. She also completed work on *The Last Showgirl* prior to jumping into *Running Point* Season 2.

"The thing I love most about being an actor is picking up a script and figuring out whether I can make it believable," she said. "I don't really have a singular dream role, because honestly, that would take the fun out of it."

With a career already spanning over three decades — and clearly only gaining momentum — Brenda Song doesn't need a dream role. She's already living it.

Brenda Song talks Running Point Season 2, her lifelong Lakers fandom, working with Mindy Kaling, and what makes this Netflix series her dream project.

Brenda Song on Running Point and Her Basketball Love

large_brendasongmain.png

medium_brendasongmain.png

small_brendasongmain.png

thumbnail_brendasongmain.png

brendasongmain.png

Brenda Song on Running Point, Her Basketball Obsession, and Why This Role Was Always Meant to Be Hers

## Renée Zellweger Leads Star-Studded Cast in Upcoming Drama 'A Woman in the Sun'

Academy Award-winning actress Renée Zellweger is set to take center stage in an anticipated new film titled *A Woman in the Sun*, joining acclaimed performer Sissy Spacek and emerging talent Mia Threapleton in what promises to be a deeply compelling cinematic experience.

## A Powerhouse Collaboration Behind the Camera

The project brings together an impressive coalition of production companies, with Black Bear, Artists Equity, and Zellweger's own production banner, Big Picture Co., all joining forces to bring the story to life. The film is written and directed by Julia Cox, whose vision for the project has already generated significant buzz within the industry.

### Ben Affleck Weighs In

Artists Equity co-founder Ben Affleck has spoken enthusiastically about the production, describing it as *"a moving, gripping exploration of a complex family dynamic with something lurking beneath the surface."* His words hint at a story that balances emotional depth with underlying tension — a combination that is sure to resonate with audiences.

## What to Expect

With three generations of remarkable acting talent on screen and a strong creative team steering the project, *A Woman in the Sun* appears poised to deliver a nuanced, layered narrative centered on family, secrets, and the complicated bonds that define us. Fans of character-driven drama will undoubtedly have this one firmly on their radar.

Renée Zellweger, Sissy Spacek, and Mia Threapleton star in Julia Cox's new drama 'A Woman in the Sun,' backed by Black Bear and Artists Equity.

Renée Zellweger Stars in 'A Woman in the Sun' Drama

large_Sissy-Spacek-Renee-Zellweger-and-Mia-Threapleton-Split-Getty-H-2026.jpg

medium_Sissy-Spacek-Renee-Zellweger-and-Mia-Threapleton-Split-Getty-H-2026.jpg

small_Sissy-Spacek-Renee-Zellweger-and-Mia-Threapleton-Split-Getty-H-2026.jpg

thumbnail_Sissy-Spacek-Renee-Zellweger-and-Mia-Threapleton-Split-Getty-H-2026.jpg

Sissy-Spacek-Renee-Zellweger-and-Mia-Threapleton-Split-Getty-H-2026.jpg

Renée Zellweger, Sissy Spacek, and Mia Threapleton Unite for Compelling New Drama 'A Woman in the Sun'

## Dave Coulier Gets Candid About the Physical Toll of Cancer Treatment

Full House actor Dave Coulier is speaking openly about the very real and visible changes his body has undergone as a result of ongoing cancer treatment. In a heartfelt message shared with fans on Instagram, the beloved television personality addressed concerns about noticeable differences in both his appearance and the way he speaks.

### Significant Weight Loss and Dietary Struggles

One of the most striking revelations in Coulier's update was the extent of his weight loss. The actor confirmed that he has been unable to consume solid food for several months, a challenging side effect that has resulted in a loss of 45 pounds. This dramatic physical change has been visible to fans who have followed his public appearances and social media presence throughout his treatment journey.

### Speech Changes Draw Fan Concern

Beyond the weight loss, Coulier acknowledged that his treatment has also impacted his ability to speak clearly. Responding directly to fans who had noticed differences in his voice and physical look, he validated their observations rather than dismissing them. His willingness to address these changes head-on has been met with an outpouring of support from followers and fellow entertainers alike.

### A Show of Strength and Transparency

By choosing to speak publicly about his experience, Coulier continues to demonstrate remarkable courage and transparency during what is undoubtedly one of the most difficult periods of his life. His openness not only keeps his dedicated fan base informed but also shines a light on the often harsh and life-altering realities that accompany cancer treatment for many patients.

Full House star Dave Coulier reveals cancer treatment has caused 45 pounds of weight loss and noticeable changes to his speech and appearance.

Entertainment